Language learning · 6 min read
The easiest Spanish classics to read while you learn Spanish
The easiest book on ClickBook's Spanish shelf is El crimen y el castigo, Dostoyevsky's Crime and Punishment in Spanish translation. At 177,772 words it is also the longest. That is the first of several things the measurements show that a reading list put together by eye would not.
The Spanish shelf holds 39 public-domain books, and each was measured from its full text, not a sample. Each gets a difficulty score from 0 to 100, where lower is easier. The score ranks these 39 books against each other and nothing else: it cannot be compared with a score on another language's shelf, and there is no CEFR level behind it.
These are unabridged originals and published translations, not graded readers. "Easiest" means easiest of these classics. They suit an intermediate learner who can already work through a page of ordinary Spanish with some help, not someone starting from zero.
The easiest book is also the longest
El crimen y el castigo scores 48/100. Of its running words, 80.2% are among the 2,000 commonest Spanish words, the highest share of any book on the shelf. Its sentences average 14.6 words, against a shelf median of 20.3. It is also by far the shelf's most downloaded book at Project Gutenberg: 54,696 downloads, more than twice the 23,485 of the runner-up, Unamuno's Andanzas y visiones españolas.
The catch is length. At a learner's pace of 130 words a minute it is about 23 hours of reading, the longest commitment on the shelf. Easy here means a page that is easy to get through. It does not mean a book that is quick to finish.
Easy books are not short ones
Difficulty and length are only loosely linked on this shelf, and the link runs the opposite way to what most people expect. The correlation between score and word count is −0.32, so longer books tend to score a little easier.
The ten easiest books split evenly around the shelf's median length of 64,772 words: five above it, five below. The ten hardest do not split evenly at all. Nine of them are shorter than the median, and the two shortest books on the shelf, at about 3 hours each, score 76 and 77. Among the ten hardest are two plays, Galdós's Electra and Lope de Vega's La moza de cántaro, and Rodó's essay Ariel. On this shelf, a short book is not a shortcut.
What puts a book at the easy end
Mostly vocabulary. In the ten easiest books, between 76.3% and 80.2% of the running words come from the 2,000 commonest Spanish words. The shelf median is 74.1%. Their sentences are shorter too, a median of 16.5 words against 20.3, but sentence length counts for less: the formula caps it, and across the shelf the correlation between difficulty and average sentence length is a modest 0.35.
Electra shows what short sentences cannot do on their own. Galdós's play has the shortest sentences on the shelf, 6.8 words on average, and still scores 85, because only 64.7% of its words are common ones. The hardest book of all, La moza de cántaro, a verse play, scores 100 with 58.3%.
Most of the easiest are translations
Seven of the ten easiest books are Spanish translations of foreign writers. Dostoyevsky wrote in Russian and Hendrik Conscience in Dutch; Pauline Caro, Ponson du Terrail, Hermine Lecomte du Noüy, Alexandre Dumas and Octave Feuillet wrote in French. The other three are by Spanish novelists: two by Armando Palacio Valdés, and La gaviota by Fernán Caballero.
The Spanish of a published translation is still Spanish, and for reading practice it does the job. If you want books by Spanish writers, though, those three are where to look, and the list below marks the translations so you can tell them apart.
The ten easiest Spanish classics
Lowest score first. Common words is the share of the running text made of the 2,000 commonest Spanish words. Reading time is at a learner's pace of 130 words a minute. An asterisk marks a Spanish translation. Books flagged for adult themes are left out of the list.
| # | Book | Author | Reading time | Score | Common words |
|---|---|---|---|---|---|
| 1 | El crimen y el castigo * | Fyodor Dostoyevsky | 23 h | 48/100 | 80.2% |
| 2 | Amar es vencer * | Pauline Caro | 7 h | 48/100 | 80.1% |
| 3 | La cuerda del ahorcado: Últimas aventuras de Rocambole: I El Loco de Bedlam * | Ponson du Terrail | 10 h | 49/100 | 79.4% |
| 4 | La niña robada * | Hendrik Conscience | 4 h | 49/100 | 79.7% |
| 5 | Incertidumbre * | Hermine Oudinot Lecomte du Noüy | 8 h | 53/100 | 78.6% |
| 6 | Amaury * | Alexandre Dumas | 11 h | 53/100 | 79.7% |
| 7 | Tristán o el pesimismo | Armando Palacio Valdés | 12 h | 56/100 | 77.1% |
| 8 | La gaviota | Fernán Caballero | 12 h | 56/100 | 78.0% |
| 9 | El idilio de un enfermo | Armando Palacio Valdés | 7 h | 58/100 | 76.3% |
| 10 | La Novela de un Joven Pobre * | Octave Feuillet | 7 h | 59/100 | 77.5% |
* Spanish translation. Two more books also score 59, level with number ten: Noli me tángere and El libro de las tierras vírgenes.
Where to start
To finish a book first: La niña robada. It is 30,537 words, about 4 hours, scores 49, and is the only one of the ten under six hours. For a novel by a Spanish writer: El idilio de un enfermo by Palacio Valdés, 51,319 words and about 7 hours, the shortest of the three by Spanish novelists by a long way. For the famous one: El crimen y el castigo, the easiest score on the shelf, but at 23 hours plan it in weeks, not evenings. Whichever you pick, its book page splits the text into ten equal spans, scores each one and names the hardest, so you can see whether the opening chapters are a fair sample before you commit.
After these
The full Spanish shelf sorts easiest first. Eight of the ten books above are in the Gentle band, the easiest quarter of the shelf. The other two open Steady, the next quarter: 10 books scoring 58 to 65. The next Steady books are Noli me tángere, which José Rizal wrote in Spanish, and El libro de las tierras vírgenes, Kipling's The Jungle Book in Spanish, both at 59. Further down the band is Blasco Ibáñez's Sangre y arena, at 64.
What the score cannot see
The score counts words and sentence lengths. It cannot see old spelling, which matters on a shelf of nineteenth-century editions. Accents sit where modern Spanish drops them and are missing where it adds them: Descripcion é historia would now be written Descripción e historia. Small differences like these can slow you more than the score suggests. It cannot see subject matter, either. El crimen y el castigo is easy to parse and is still a long novel about a murder, told from close inside the murderer's mind. And it cannot see style: irony, period idiom and regional speech all read harder than they measure.
One more limit is specific to this shelf. Dialogue is measured as text inside quotation marks, and Spanish editions usually mark speech with dashes instead, so the dialogue figures on the book pages probably understate how much conversation these books contain. How books are measured sets out the full method and its weak points.
Reading one of these in Spanish?
ClickBook is a free reader for iPhone, iPad and Android. Tap any word in an EPUB and an AI running on your device explains it in the sentence where it stands. Pro, a one-time purchase, adds translation into your mother tongue. Every book in the table above is free to download from Project Gutenberg (public domain in the US; check your own country's rules).